Regarding the final photos, I love the antique and rudimentary look of them, as well as the extreme wide-angle that that adds drama to otherwise unremarkable landscapes.
I unexpectedly spent the weekend in Rocky Mountain National Park with a photographer friend. Before I left, I loaded up two of my home-made candy-tin cameras with photo paper, and packed them in my truck. Knowing that I only had two pinhole exposures for the weekend, I selected time and setting carefully. I have not yet picked up a Changing Bag for the changing out the light-sensitive paper in the cameras, so for this trip I was limited in the number of exposures, at one per camera. I had to laugh; the instructor for my class said that I don't really need a changing bag - I can just bring along a million cameras!
I took this around 9 am on Sat, under hazy skies with a 360-sec exposure - other than a slight light-leak on the left of this one, I thought it was interesting, and really looks nothing like what I was seeing at the time of the shot.
This is the setup for the previous shot, taken at 24mm. I'm sure it looks hilarious to see me walking around in the wilderness with a Christmas tin in my hands! The tiny white specs at the base of the trees at the far left were a herd of elk grazing in the meadow.
I am attending the Intermediate Pinhole Workshop at
the Center for Fine Art Photography this upcoming Sunday, and am excited to learn even more about Pinhole Photography. You can take a look at the photography of Micheal Butts, instructor of the class. A few of his photos are at http://www.c4fap.org/c4e/c4mbrsearch.asp , and do a search for his name, or "pinhole".
Stay tuned, I'm sure there's more fun to come! I'll also be posting some of my "normal" photos from the RMNP weekend soon...
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